Currently viewing the tag: "f/1.8"

One of my fast lens the Tamron SP 28-75mm F/2.8

Not to be too technical here, fast glass also known as fast lens are lenses that have a larger maximum aperture or lower f-stops, like F/2.8, F/1.8 and F/1.4. It does not refer to the auto focus system of the lens, so even if the lens is equipped with the latest autofocus mechanism such the USM or HSM (sigma) and can acquire focus really fast, it’s not necessarily a fast lens. So if you happen to notice a F/2.8 on the specification or description of the lens then it is a fast lens. A lens with a minimum aperture of F/2.8 and wider are considered to fast lenses (F/2.8, F/2.0, F/1.8 F/1.4, F/1.2 with F/1.2 being the fastest and more low light capable and certainly the most expensive.).

But what exactly is it and do we really need it? Since a fast lens has a larger maximum aperture it’s aperture ring has a larger opening compare to non fast lens like the kit lens, therefore allowing more light to reach the sensor faster, and because more light was able to reach the sensor faster it then allows the photographer to use a faster shutter speed. Also, fast lenses will give us a really nice background bokeh, which are perfect for portraiture or close-up and macro.

Do we really need it? The simple answer is yes and no. Fast glass are expensive and not everyone can afford it, so yes if you can afford it, it’s certainly good know that you have one anytime you need it. Fast glass is essential especially when shooting in low light to capture important scene or to freeze the action. On the other hand with the advancement of technology, camera bodies are now getting powerful to the extent that you can get away by increasing your ISO even to a 1000 or even more and will still give you great images. Take for example this photo below which was taken using my EF 70-200mm F/4L IS USM lens, it’s an F/4 lens which is really isn’t enough when shooting sports especially in a stadium that lights aren’t really something to be desired. The photo was shot using the Canon EOS 60d set at ISO 1000.

So should we really go with a fast glass? What I can recommend is, just save up for a fast glass. A fast glass is always a better and will help a talented photographer capture more stunning photographs.

My Lenses:


The EF 85mm F/1.8 & EF 50mmF/1.8 are my fastest lens and the EF-s 10-22 being the slowest of them all having a variable aperture of F/3.5-4.5

From left back: EF 10-22mm F/3.5-4.5, Tamron 28-75mm F/2.8, EF 70-200mm F/4L IS USM. Front EF 50mm F/1.8 II, EF 85mm F/1.8 USM

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EF 50mm F-1.8 Review. The Canon Nifty-Fifty

The Canon EF 50mm F/1.8 also known as the Nifty-Fifty is true to its name, it produces great image quality, sharp and is only around $100.00. Best bang for the buck. I highly recommend it.

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Before I start, let me just tell you that the Canon EF 85mm F/1.8 is a suprisingly awesome lens and I highly recommend it to anyone.

Product Description.

A highly practical medium telephoto lens with superb delineation and portability, the Canon EF 85mm F/1.8 USM lens produces sharp and clear images at all apertures. Through computer simulations, the lens has been designed to give beautiful background blur, thereby bringing your subject into crisp view. The ring-type ultra-sonic monitor (USM) and fast f/1.8 aperture, meanwhile, helps the subject zip into focus in the viewfinder. And because the front lens group does not rotate during focusing, special filter effects are not affected. Best of all, the standard zoom lens–with its natural angle of view and perspective–captures the subject plainly, making it excellent for portraits and images that require a natural depth of field. As with all Canon lenses, the lens carries a one-year warranty.
(From Canon.Com)

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Life in Desolate Places
This photo was taken late Sunday afternoon while I was taking a walk near the waterfront.

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Morning Dew

I was enjoying my morning coffee in the backyard when I noticed the grass, “cool” morning dew. I immediately went back inside and grab my camera with a my 50mm 1.8 with and 31mm extension tube, I then took the shot crawling way below the ground.

Gear:
EF 50MM F/1.8
Pro Optic Budget Auto Extention Tube Set for Canon EOS SLR Cameras

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